Photography seems to raise an order of absolute gravity, making it more possible to think [of] the image from outside the ‘act’ that makes it a ‘still’, and it becomes an elevation into the realm of being.
Coincidence, details, and precision oriented my way of thinking, and my self-portraits are perceived as a mirror, a transformation, and a trace of my real ‘body’, which is depicted as sensational beings. ‘They’ transform my body into actual beings of artistic ‘sensation’ rather than of artistic ‘expression’. It is the question of space and time in the ‘act’ of taking a photo that frames my own being as temporal cuts rendering my[self] photographic memories.